New PDF release: A History of Rock Music: 1951-2000
By piero scaruffi
This background of rock tune isn't really a historical past of the charts (which I give some thought to an aberration), yet a background of the good rules brought via rock musicians over 50 years of relentless innovation, and the heritage in their maximum albums (regardless of the way many copies have been sold). It finally ends up being extra all for "alternative" rock than on "mainstream" rock, just because replacement musicians are usually extra leading edge and honest than mainstream musicians.In a feeling, rediscovering "alternative" rock and giving it its dues can also be how to restoration the attractiveness of rock tune one of the extra refined audiences. this present day, rock tune is a style that employs sampling innovations, digital tools, digital/computer know-how, cacophony, and ethnic assets. The roots of ultra-modern rock song lie within the technical recommendations led to within the first 1/2 the twentieth century. as a result, my "alternative" historical past of rock song starts a lot previous to such a lot books at the origins of rock'n'roll, and covers even more territory than guitar-driven rock'n'roll.
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Extra resources for A History of Rock Music: 1951-2000
At about the same time two Los Angeles musicians began playing the blues in unconventional formats that mainly tried to capture the authentic spirit of the past: Taj Mahal (3) produced albums that delve into the whole tradition of Afro-American music, such as De Ole Folks At Home (1969), possibly his masterpiece, Real Thing (1971) and Recycling The Blues (1972); and Ry Cooder (2) would become famous with his thematic reconstructions of eras and styles (tex-mex, swing, rock'n'roll, etc), notably Paradise And Lunch (1974) and Paris Texas (1985).
The fragile and dreamy music of Part One (1966), the debut album by the West Coast Pop Art Band (1), was probably the closest thing to San Francisco's acid-rock that Los Angeles produced. Love (11) were representative of three different stages in psychedelic-rock: its roots in folk-rock, still evident on the naive Love (1966); its full-blown creative maturity, after digesting blues, jazz and raga, as on their masterpiece Da Capo (1967); its baroque apex, when, influenced (like everybody else) by the Beach Boys' Pet Sounds, the band adopted the lush pop arrangements of Forever Changes (december 1967).
Their true goal was to provide a documentary of the decadent, disaffected, cynical mood that was spreading among the intelligentsia. These were not hippies, these were elitist musicians who were aware of the avantgarde movements: they began playing (in 1965) as part of Andy Warhol's multimedia show "The Exploding Plastic Inevitable". They originated the "pessimistic" strand of psychedelic music (as opposed to San Francisco's optimistic strand). The Velvet Underground probably remain the most influential band in the entire history of rock music.
A History of Rock Music: 1951-2000 by piero scaruffi