Download PDF by Paula Berinstein: 42 Common Mistakes Novelists Make
By Paula Berinstein
Tale advisor and Writing express host Paula B. provides an annotated checklist of forty two universal errors she sees for all time. Divided into characters, constitution, reader engagement, the industry, and mechanics, the object deals every thing from the Tease--the author who will get readers all excited yet does not stick with via, to the Bleeding Heart--the author who will not "murder his darlings."
About 7000 phrases.
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High stakes help keep them turning pages. 26. Captain Hookless. Your hook doesn't work. Your very first sentence must intrigue readers by raising questions in their minds. Unanswered questions make them want to hang in there and learn the answers. All through your first page and even beyond, every sentence should spark questions in readers' minds. When I say that you want to raise questions, I don't mean that you should ask questions ending with a question mark. That's lazy writing. What I mean is that in your action, dialogue, and description, you refer to events, people, and phenomena that are interesting in a way that doesn't reveal too much too quickly.
That way we can get used to one group before going on to the next. 14. The Passing Acquaintance. You don't know enough about your characters to make them interesting or believable. The secret to building a rounded character is knowing him so well that you can hear his self-talk. You know what he thinks and the words he uses inside his own head; what he wants and needs; how he reacts to what's going on around him; what bothers him and why; what he would do in almost any situation because that's always how he behaves; the seminal and trivial events of his life; what his daughter said to him this morning and his boss did to him last week.
Your cast acts as foils for each other. They cause other characters to behave in ways we might not see if they didn't exist. They also express opinions about each other that give us insight. A mix of personalities creates variety and conflict and helps propel the story forward. Make sure you have enough characters to perform those functions. 13. The Mob. You have too many characters. It's okay to have a lot of characters in your story as long as each serves an important function and your readers can keep them straight.
42 Common Mistakes Novelists Make by Paula Berinstein